Film Sound: Theory and Practice [Paperback]

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An extremely useful and wide-ranging collection of essays devoted to your topic often ignored or taken without any consideration by visually-dominated studies in the moving picture... -- Gerald Mast, University of Chicago Both comprehensive in their range of readings and inventive in its editorial approach... Film Sound, as well as as an eminent introduction to the writings inside field, forcefully demonstrates the need for that study of the media to get both textually and institutionally grounded, and both theoretically and historically informed. -- Richard Allen Framework Indispensable... [a] superb collection of essays... An essential contribution to your literature on film theory and use and... necessary reading for anyone interested inside art along with the practice of filmmaking. Journal of Popular Film and Television Film Sound is really a pleasure to read. In addition, the book's general organization and array of selections present an accurate summary of the development of film sound and attitudes toward it through the late twenties to the eighties. For anybody interested in finding ways out from the present theoretical confusion, Film Sound is an excellent spot to start. Film Quarterly Convincingly suggests make fish an exciting new field may be opened up, one that could well arrived at determine the way in which we glance on the cinema as a whole... [ Film Sound] pays attention to the new technologies since they affect not just the cinema but also the way you arrived at view its history. Sight and Sound

This classic anthology provides essential models for analyzing sound stylistics with the detailed study of critical sound films. Elisabeth Weis and John Belton carefully curate major essays through the world's most respected film historians, aestheticians, and theorists, including Douglas Gomery, Barry Salt, Rick Altman, Mary Ann Doane, S. M. Eisenstein, V. I. Pudovkin, Rene Clair, Bela Belazs, Siegfried Kracauer, Christian Metz, David Bordwell, Kristin Thompson, Noel Burch, and Arthur Knight. Their selections recount the innovations and triumphs of Ernst Lubitsch, Fritz Lang, Orson Welles, Alfred Hitchcock, Rouben Mamoulian, Dziga Vertov, Robert Bresson, Jean-Luc Godard, Robert Altman, and Francis Ford Coppola, among many others, and explicate the techniques and practices of sound filmmaking from initial recordings to final theater playback. Film Sound will be the ideal companion for anyone seeking both a comprehensive introduction on the form along with a rich survey of its historical and global evolution.






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