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"The premise of the book is true: it is a necessary in fact overlooked a part of film sound." - Larry Blake, supervising sound editor/re-recording mixer: films include "Traffic", "Erin Brockovich", "Ocean's Eleven", etc.
"John Purcell's excellent book is really a concise and detailed text on the aesthetic and methods of dialogue editing within the digital age. He brings an abundance of knowledge from the entire production sound arc and exactly how dialogue editing significantly contributes towards the process. Any filmmaker who follows Mr. Purcell's methods will go a good approach to producing a very polished and professional sound track for film." - Bill Dannevik, Professor of Digital Media, USC Cinema-TV/Savannah College of Art & Design and Technical Manager of World Wide Dubbing, Disney Character Voices International
"John Purcell's book is a comprehensive and detailed guide on the arcane craft of dialogue editing. Both instructors and students will reap the benefits of his thoughtful examination of each one stage from the post production sound process as it relates to the crucial component of the soundtrack." - Harry M. Cheney MPSE - Supervising Sound Editor - Associate Professor; Chapman University Dodge College of Film and Media Arts
"This can be a great subject matter i and my colleagues could have loved to have had a book similar to this 10 years ago...there is quite little information for the specifics of dialogue editing available." - Todd Hooker, film editor
"I am happy to endorse this book. I have not previously seen a magazine which includes realistically dealt with the professional responsibilities of an dialog editor. Dialog is the focus of a successful soundtrack. It not only contains the majority with the intellectual arch in the film nevertheless the timbers and tempos in the actor's voices are instrumental in establishing the critical relationship relating to the audience as well as the viewer. Without the Dialog editor's well-prepared session it's difficult and costly, (in terms of time spent inside dub) otherwise impossible, for that mixer to perform what exactly is required to establish or enhance that relationship. I look forward to being in a posture to make use of this book like a required reading for my students." -Professor John Sisti, Savannah College of Arts and Design/Department of Sound Design. Formerly with Columbia Pictures/Sony Entertainment Supervising Sound Editor and Dialog Editor "Mad About You"
"Purcell has written this book for people who must edit production sound for narrative films but were 'never taught how to perform it.' Unlike music and effects editing, dialogue editing operates under an alternative group of rules. You can find certain fundamental procedures which are absolutely essential to know and, unless one may be fortunate enough to operate having an experienced editor in several situations, the information isn't available. Purcell's book will fill within the gaps." - Editor's Guild Magazine
John Purcell's excellent book is a concise and detailed text on
the aesthetic and techniques of dialogue editing within the digital age. He
brings an abundance of knowledge in the entire production sound arc and the way
dialogue editing significantly contributes towards the process. Any filmmaker
who follows Mr. Purcell's methods will go an extended way to producing a
very polished and professional sound track for his or her film."
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Lacie Hard Drive UK
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